Reestreno en cines, con pase estelar en Cannes incluido -y edición europea en DVD- del documental 'Let's Get Lost', realizado en 1989 por el fotógrafo Bruce Weber, sobre el trompetista y cantante Chet Baker. Un extraño personaje dentro del peculiar mundo del jazz, Chet era yonqui como tantos otros -afición que arruinó su buen aspecto y alteró su dicción al cantar-, un ángel caído, calificado de demonio y talentoso por muchos de sus conocidos, de un atractivo fatal para sus mujeres. En el documental lo vistieron de diseño -puesto que una marca de ropa financiaba- y el equipo supuestamente soportó con algo de piedad su caos drogadicto que casi le había apartado de su habilidad musical, habilidad que alguna vez fue puesta en entredicho por algún crítico.
Released again in cinemas with preview on Cannes -and european edition on DVD-, 'Let's get lost' is a documentary directed in 1989 by the photographer Bruce Weber about the trumpeter and singer Chet Baker. An odd character within the peculiar world of jazz, Chet was a junkie -an affection that gradually ruined his good looks and can be noticed in his singing-, a fallen angel, skilled and talented handsome devil by many acquaintances, a fatal attraction for his lovers. In the film you can see him dressed in design clothings -being that a fashion brand was financing the project- and the staff seems to have suffered, sometimes with dearing patience, his steady decline into drug chaos, when he almost had departed from his musical skill, the same skill that was sometimes called by some critics into question.
Released again in cinemas with preview on Cannes -and european edition on DVD-, 'Let's get lost' is a documentary directed in 1989 by the photographer Bruce Weber about the trumpeter and singer Chet Baker. An odd character within the peculiar world of jazz, Chet was a junkie -an affection that gradually ruined his good looks and can be noticed in his singing-, a fallen angel, skilled and talented handsome devil by many acquaintances, a fatal attraction for his lovers. In the film you can see him dressed in design clothings -being that a fashion brand was financing the project- and the staff seems to have suffered, sometimes with dearing patience, his steady decline into drug chaos, when he almost had departed from his musical skill, the same skill that was sometimes called by some critics into question.
