Ya mencioné por aquí hace un tiempo el trabajo de Barry Feinstein sobre Dylan en 1966. Pero estas fotografías, entre otras muchas, fueron tomadas por Daniel Kramer, uno de los fotógrafos importantes, quizás el más significativo, cuando se trata de la iconografía referente a Bob Dylan, autor de las portadas de 'Bringing It All Back Home' y 'Highway 61 Revisited' y de gran cantidad de imágenes pertenecientes fundamentalmente a 1964 y 1965, época en la que Dylan emprendió ese cambio artístico por el que abandonaba paulatinamente la escena folk y su unión con Joan Baez y fue adoptando un sonido eléctrico que le haría pasar de figura de culto a icono del rock.
I already mentioned here the 1966 work by Barry Feinstein, but these ones were taken by Daniel Kramer, an important photographer, perhaps the most significant, when it comes to the iconography concerning Bob Dylan, author of the cover images for 'Bringing It All Back Home' and 'Highway 61 Revisited' and many other of his pictures mainly in 1964 and 1965, a time when Dylan began his main artistic change leaving behind the folk scene and his union with Joan Baez among other things and taking an electrical direction wich marked his transition from cult figure to Rock icon.
I already mentioned here the 1966 work by Barry Feinstein, but these ones were taken by Daniel Kramer, an important photographer, perhaps the most significant, when it comes to the iconography concerning Bob Dylan, author of the cover images for 'Bringing It All Back Home' and 'Highway 61 Revisited' and many other of his pictures mainly in 1964 and 1965, a time when Dylan began his main artistic change leaving behind the folk scene and his union with Joan Baez among other things and taking an electrical direction wich marked his transition from cult figure to Rock icon.
